September 2013
Frank Skinner has announced a nine-show run in London. The West Midlands comedian and Absolute Radio DJ will be premiering his Man In A Suit show at the Soho Theatre from November 14 - 16 and November 18 - 23. It certainly makes a change from paying uber-venues – Skinner was one of the first UK comedians to do supersized stand-up when he appeared in front of 6000 people at Battersea Power Station in 1997. The attraction of the Soho Theatre, where he did warm-ups earlier this year, is obvious.
A London traffic snarl-up-from-hell did its best to ruin my fun last night. Closures around Hyde Park meant I missed the first two acts at the annual benefit for engagingly experimental radio station Resonance FM. I've investigated on your behalf and discovered that Robert Newman did a slightly overlong bit about evolution, presumably something from his solo show, reviewed here.
I don't think I've ever wanted to like a series as much as I wanted to like Father Figure. I've loved its star, Jason Byrne, for years. As a freewheeling stand-up he takes some beating and I've seen him deliver some brilliantly unpredictable shows, dragging audience members onstage to be part of his cock-eyed manic mayhem. And I liked his Radio 2 series which has now become this BBC1 sitcom. So it is with a heavy heart that I have to say that Father Figure is painfully, excruciatingly disappointing.
Feminist funny woman Bridget Christie has added more dates to her Soho Theatre residency which now returns from March 11 - 19, making it the biggest selling comedy show at the Soho Theatre ever. Tickets are on sale now here.
Suddenly after the summer slumber in London the next seven days feel like a properly exciting week for going out to comedy.
Good title. Maybe it's what a lot of Richard Curtis' critics thought when they read about him saying that this was likely to be his last film as a director. Right, that's the gag that's been nagging in my head since I came out of the cinema, now down to the proper review.
Improvised comedy is, by its very nature, full of surprises. And perhaps the biggest surprise is that over two decades after the format became popular on television with Whose Line Is It Anyway? (the American version is, amazingly, back on the air over there) it is thriving on the UK live circuit.
When you invite Russell Brand onstage at an awards bash you don't know quite what you are going to get. So, paradoxically, the GQ Awards should not really have been surprised earlier this week when Brand referred to the sponsors' past when he said: “If anyone knows a bit about history and fashion, you know it was Hugo Boss who made uniforms for the Nazis. But they looked f***ing amazing.”
I've been sending out the Beyond The Joke newsletter for the last few months. One of the ideas behind it is that if subscribers like it they forward it to friends, other people read it, like it, come to my website, my website gets more popular and my children get to eat. I'm not quite sure if Daniel Kitson feels the same way about his newsletter. I recently noticed that they have a little copyright symbol at the bottom and an "all rights reserved" pay-off.
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