April 2013
Ricky Gervais has got a lot to answer for. Watching a preview of Ben Elton's new BBC sitcom The Wright Way it appears that he has taken his inspiration from When The Whistle Blows, the fictional workplace comedy featured in Extras. The gags might fly thick and fast, but they are peppered with farcical misunderstandings and cheap innuendo about knobs and knickers.
Comedy Crisis? What Comedy Crisis? Russell Howard has just announced a World Tour for 2014 taking in four nights at the Royal Albert Hall, which is certainly classier than the O2 Arena. Here is an interview with Howard from 2009 in which he talks about his family, his career and comedy onscreen as well as onstage.
Details of Russell Howard's tour here,
What's in a name? When Debbie Harry decided she wanted to be taken seriously as a musician she started calling herself Deborah Harry. When Rob Newman decided he wanted to be seen as a more mature comedian he started being billed as Robert Newman. But it is probably Newman's material more than his monicker that has cast him in a new light.
When I wrote some thoughts about Jack Carroll on Britain's Got Talent recently I sang his praises but wondered whether he wrote his own material. This prompted the following response on Facebook from Alan Holloway: "It's not a prerequisite to write your own material, really.
I was told to get in the trenches and cut back on the comedy godzillas by a reader recently so I made a trip to the the Invisible Dot's new regular Saturday Night Show last night. I'm not sure if this really counts as the trenches though. It's a swish, industrial room a spit from King's Cross station which attracts the coolest of comedy crowds (think Hacienda Club just before acid house kicked in but cosier) thanks to ID's skilful booking policy.
Julian Clary starts his new live tour, Position Vacant, this weekend. Details here. This interview, first published in The Times, dates from his last tour, Lord of the Mince, but, as you can tell from the title there may be a degree of "creative/artistic overlap".
Stewart Lee recently wrote an article in the New Statesman about the lack of right wing comedians. I sort-of doubt if Simon Evans is a card-carrying Cameronite, but there is something distinctly conservative about him. Not in a horrible Bernard Manning/Bob Monkhouse way, but in his love of traditional old values.
I've been thinking about Jack Carroll's triumphant first appearance on Britain's Got Talent and have been trying to decide whether it will be good for the 14-year-old's career or not. Plenty of exposure certainly. But could it be too much for someone so young? Looking back on past young comedians, staying power, not wit, seems to be the issue.
Television seems to be going through one of its phases where it gives comedians interesting jobs rather than just going "ooh look, how about a nice panel game/quiz show to be charismatically spontaneous on?" Last week Victoria Wood was poured all over our screens talking about tea. For the next two Sundays Bill Bailey is going to be in the jungle.
It has been a funny few days for me on Twitter. I did not think I have ever been blocked by anyone and then over the weekend I discovered by accident that two comedians had blocked me. I found out about the first when I tried to follow him and the message "you have been blocked from following this account at the request of the user."
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